About my work
I make sculptures mostly of animals. The underlying theme in all my work, however, is the human experience. Animals are used, like characters in a dream or story, to explore and give expression to it. I love their infinitely varied forms and the power of their image. Nursery rhymes, proverbs and stories all use this same process, and I often visit these literary sources to find the right animal for what it is I need to look into. Often too, these stories serve as a starting point for series of pieces such as the fox and the cockerel from Chaucer’s Nun’s Priest’s Tale, or the characters populating nursery rhymes (such as Old Mother Hubbard’s dog.)
Besides exploring these layers of meaning, I engage with the material (be it clay, wax, cardboard, bronze or steel) in a way that is forever playful and never predictable. Each piece is open ended; the material is allowed its voice and each sculpture is an adventure. The surfaces thus arrived at are testament to the process of creation, revealing layers of imprinted texture, drawing and re-drawing.
All my work starts with drawing; sculpture, for me, is a kind of drawing in 3 D. I make small hand held pieces in wax or clay to explore the posture and the 3 dimensionality of the piece. Posture is my most powerful tool; it is what imbues a sculpture with emotional resonance.
Most of my sculptures originate in clay, which is sometimes fired but more often cast into bronze and patinated in strong colours. The surfaces are highly tactile; one is aware of the layering of the clay and a playful exploration of the material with textures of everyday materials imprinted onto the clay or cast into the sculpture.