I make sculptures mostly of animals. The underlying theme in all my work, however, is the human experience. Animals are used, like characters in a dream or story, to explore and give expression to it. Nursery rhymes, proverbs and stories all use this same process, and I often visit these literary sources to find the right animal for what it is I need to look into.
All my work starts with drawing; sculpture, for me, is a kind of drawing in 3 D. I make small hand held pieces in wax or clay to explore the posture and the 3 dimensionality of the piece. Posture is my most powerful tool; it is what imbues a sculpture with emotional resonance. Then there is play, by which I mean: responding creatively to the medium I have chosen to work with. It is important to me that each piece is open ended; that the material is allowed its voice and that each sculpture is an adventure.
Most of my sculptures originate in clay, which is sometimes fired but more often cast into bronze and patinated in strong colours. The surfaces are highly tactile; one is aware of the layering of the clay and a playful exploration of the material with textures of everyday materials imprinted onto the clay or cast into the sculpture.